YOU ARE A DISRUPTOR ON THE OPERATIC STAGE, YOUR PERFORMANCES ARE UNAPOLOGETIC AND FULL OF FIRE. "It's madness. Opolais phrased In quelle trine morbide with aching beauty and throughout the evening scaled her voice up with glowing tone or reduced it to a silvery thread as required. Opolais, pure-toned and powerful, was affected too. But something clicked during the opening night performance. I need to feel the pain to then understand the problem. Earlier in my career I was extremely sensitive to the energy of the audience, which is great when its a good audience, but if its a tough crowd it can really affect your performance, so I had to fix that. I tend to bring more pain in my interpretations of Rusalka I relate to her differently because of my life experiences. So for a better part of 2018, the soprano spent more time in Latvia to be with Adriana as she commenced her elementary school studies in Riga. Our personal reactions are very unique to who we are, so my performance and reactions should be different to another singer and vice versa. I had just performed my debut in, and I got a call the following morning at 7.30am from Peter Gelb asking me to do. As the terrible news dawned on her, her body sank to the floor; we watched a woman break, wrote Bachtracks Robert Levine. It was spellbinding. kristineopolais.com Posts Reels Videos Tagged Show More Posts from kristine.opolais I tend to bring more pain in my interpretations of Rusalka I relate to her differently because of my life experiences. Honig worked on channelling Opolais\s naturally dramatic instincts-roles she\d sung before now felt very different and Opolais\s gratitude to her teacher is immense. Vairkus gadus bija Latvijas Nacionls operas soliste, vlk Minhenes [2] , Berlnes , Milnas , Vnes un citu pilstu operu soliste. So 12 hours that's a lot!" Alagna told AFP in his dressing room at the New York opera house. I went through a lot of things, but now I understand that I love my art the way that I do it, she enthused. At 36, she is one of a select group of singers being groomed by the Metropolitan Opera. Her net worth has been growing significantly in 2021-2022. Vocally, the soprano has always noted that she takes time to warm up in a performance. Can you pronounce this word better roh.org.uk/productions/tosca-by-jonathan-kent. New York will be lucky to have her." NEW YORK OBSERVER Polina Viljun It feels like one big force watching me and keeping me safe. Opolais maintains this strong relationship with the Met, ever since her debut as Magda in La Rondine in 2013. I had been partying with colleagues after the production (laughs), there was no way I could do it! Im not saying that Im a killer (laughs), but I understand her passion and envy. Today I can only say that Im thankful for my experience as I really know what bad is. Kristine Opolais has first duet with new partner main norman lebrecht November 14, 2019 The soprano, formerly married to Andris Nelsons, has been unexpectedly joined in Dresden by the. The Met released her (she would successfully make her debut there as Magda inLa rondinein March 2013) andRusalkawas acclaimed as a theatrical triumph. One might imagine that an international star like Opolais would be able to find a plethora of opportunities in Eastern Europe or specifically in Latvia to perform, but the soprano noted that it becomes increasingly difficult for her to dedicate herself to her art in her home country. I had to roll around in water in a very thin nightdress, it was a challenge (laughs). 18:35 N'oubliez pas les paroles. I feel like nothing can go wrong so I can completely let go and bring my character alive. Im not saying that Im a killer (laughs), but I understand her passion and envy. "I started to lose voice, presence, colors, everything," she revealed. Famously, in 2014 Opolais made history at the Met, making two role debuts within 18 hours. Praised for his "vocally magnificent, radiant and distinctive tenor" (Opera Aktuell), this season Jonathan Tetelman signed an exclusive multi album agreement with leading record label Deutsche Grammophon and has released his debut album 'ARIAS'. Musically and emotionally-and, with Opolais, the two seem inextricably linked-it was a potent time. It is a heavy role for the soprano. When Im in love Im extremely jealous and when Im not, I couldnt care less. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and "focus only on singing." She listened and adjusted. Website by Lenny's Studio. Latvian soprano Kristine Opolais, who has sung the title role at Covent Garden, played the young temptress whose brother (baritone Massimo Cavaletti) is packing her off to a convent. Opera Magazine Features People Kristne Opolais, Obsession. The role is often noted as a mini-Butterfly, as both Angelica and the heroine of Puccinis Madama Butterfly are made to suffer for the love they have for their children and ultimately commit suicide. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. I remember her face after the production. Youve managed to step in for performances that very few singers would have been able to do. Kristne Opolais (born 12 November 1979) [1] is a Latvian operatic soprano . When you give birth, you dont really understand what is happening, she noted, adding that she thought the best was just to have her daughter with her all the time. Every artist needs to go through difficult times. You have to sing with everything for the reaction of your sons death, then you have the quiet Senza Mamma and then you have to sing with all your voice non-stop until the end. 2021 Final Note Magazine. My decision to say yes that morning was an enormous catalyst in my career it changed everything. kristine.opolais Verified Follow 808 posts 38.5K followers 2,352 following KRISTINE OPOLAIS International Soprano. But looking back, it was Latvian soprano Kristine Opolais's 2004 performance of Tatyana's "Letter Scene" from Tchaikovsky's . Sometimes it has worked against me, but most of the time it's my biggest strength.". I dont think Ive ever been so frightened in my life walking to the theatre that morning, it was horrific. And shes not done yet with adding Puccini to her repertory. Of course theres been very difficult moments in my career, but it was because of my past that I didnt fall apart completely. I think that what happens then is that she is losing her mind.. Can you pronounce this word better After that step in at The Met, my manager told me to always trust my gut over anyone else because everyone around me would have told me to say no. 11,266 So for a better part of 2018, the soprano spent more time in Latvia to be with Adriana as she commenced her elementary school studies in Riga. Opolais instantly made up for lost time: she listened and learnt, staying on when the chorus wasn\t needed, absorbing everything. VAN: In Leipzig from May 18 to 21, you're singing a concert program with Andris Nelsons and the Gewandhausorchester. I just remember I wanted it, and I thought I could do it. Kristine Opolais's income source is mostly from being a successful . Being the daughter of Andris Nelsons and Kristine Opolais, she has to be sensitive. And when teachers asked me, What you will do, Opolais, with your future life? In fact, the experience went by so quickly that the soprano didnt really understand the opera or character when she arrived at the Met in October for rehearsals. 18:00 Tout le monde a son mot dire. To get a free copy of Opera Magazine, please follow this link and fill in the short form. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. If you dont take risks, youll never drink champagne. Her conclusion? Kristne Opolais Soprano Home Performances Repertoire Videos Photos Reviews Contact 178 Photos 49 Videos Livestream & Full performance videos (5) Performances All performances From arts organisation / verified by Operabase From artist / agent m Matine t Tour c Concert 12 Jul - 20 Aug 2023 Tickets Carmen, Bizet Opera: Staged , And I knew that that was not good for her either. I couldnt focus my brain on the arts because of divorce, heath issues and chronic tiredness, and also my daughter was going to school and I didnt really have time for my art. I had just performed my debut inMadama Butterflyand I got a call the following morning at 7.30am from Peter Gelb asking me to doLa Bohmeat midday for the HD broadcast. We talked over coffee and some tiny cakes. I dont think Ive ever been so frightened in my life walking to the theatre that morning, it was horrific. Meanwhile, the soprano, who also started taking better care of her physical health, was rethinking her artistic identity and consulting with the people who she trusted most. Nor is her soprano as refulgent as those of some past Butterflys have been. agars was an actor by training, quite famous in the former Soviet Union as well as Latvia, and I loved working with him. When shes done right, shes an extremely sexy and sensitive heroine. If I only focus on singing a specific way, then I will lose out on opportunities of living the character and taking risks in the moment. Kristine Opolais at Carnegie Hall last year. Our meeting takes place in Antonio Pappano\s office at the Royal Opera House, where the photographs on the walls make it something of a shrine to Giacomo Puccini. Privacy & Cookie Policy. I found out about myself that I am not very ready for big publicity, because I think I already give so much on stage.\ She smiles wryly: It should be enough!\. I can relate to every part of her role and I adore her. In the first year I thought I should give up this profession. I have a suitcase of emotions to choose from and an abundance of life skills. Shes the classic representation of the role and she brought so much beauty to that character. Obsession. And Jenfa I have already said Not again!-her suffering and anguish is too terrible. WHERE DOES THIS ENERGY COME FROM? So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. By continuing to browse this site you are agreeing to our use of cookies. If you dont take risks, youll never drink champagne.". My process is that I imagine that everything is happening to me, Im not Kristine, Im Tosca through my eyes and I feel absolutely everything she has gone through. Opera is thriving. When I put the phone down I spent the first minute thinking it was right to say no. I feel pain in my stomach during this moment. Citing a health crisis, though also under financial investigation, the veteran Sovrintendente of Florences @maggiomusicale Alexander Pereira has resigned. I feel like nothing can go wrong so I can completely let go and bring my character alive. Its not something I can do when I am performing. The connection is so strong that when the curtain falls that force disappears and I get a profound sense of loneliness. Thats why for me it is a bit tricky to have to sing after that. That was after my Rusalka at the Bayerische Staatsoper. Kristine Opolais as Cio-Cio-San and Roberto Alagna as Pinkerton in Puccini's MADAMA BUTTERFLY. Of course theres been very difficult moments in my career, but it was because of my past that I didnt fall apart completely. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. It was a turning point. I know what it means to give birth. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said I knew youd do it. Read the complete interview via OperaWire, Valerio Galli, conductor Arnaud Bernard, director, Boston Symphony Orchestra Andris Nelsons, conductor. Opolais remembers that, even as a five-year-old, she knew that she could make people notice her and, growing up, she was intrigued by the way in which a film actress could make the smallest expressions-a look, a turn of the head, a gesture-communicate and be meaningful. Opera gets no better than Antonn Dvok 's Czech-language "Rusalka" (water nymph). Many would say that this is exactly what sets Opolais apart today. I stepped onto the stage, I opened my mouth and thankfully it came out. So to get that approval from Rene meant the world to me. I couldnt remember a single line of text before I went on, I was in complete shock that Id agreed to this. What she does with the breath and the voice is like singing yoga. Yet Opolais is an artist. Perceptions of her voice still vary, but the elements she brings to a performance, translating to both CD and DVD, are undeniable: natural bearing, a vibrant intensity, whether ecstatic or deranged, and the sheer physicality of her characterizations. 2,118 talking about this. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. It is, to be fair, a blessed moment for Kristine (pronounced Kristin-a) Opolais. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said I knew youd do it. She sang intelligently, finding considerable power in her essentially lyrical voice when required.\, The looks speak for themselves, though photos don\t do justice to her porcelain skin or the Baltic-pale eyes. Main navigation Menu. Today, I walk on stage and I completely transport into the character. Though she\d only sung part of the role of Rusalka before, the range of vocal colours it offered made it irresistible; but accepting was a gamble since she was due to make her debut in New York as Musetta. When you give birth, you dont really understand what is happening, she noted, adding that she thought the best was just to have her daughter with her all the time. Shes very sensitive. Singing went well, but not the theory, and Opolais is forthright about that disinclination to apply herself: Even at school I had problems-in mathematics it was a big protest, because I didn\t want to do it; it was not interesting. Dvok's music is of course very close to my heart, but as I continue my journey through different repertoire my voice is changing and this work is no longer a perfect fit for me vocally. Kristine Opolais has formidable competition in this atrociously difficult role which requires a voice of legato early on but once The Principessa appears (superbly sung by Lioba Braun) a new dramatic tone comes into force and Ms. Opolais is stupendous in the final scene her voice soaring over the orchestra and chorus conducted by Andris Nelsons. https://www.operaphila.org/whats-on/in-theaters-2023-2024/. When I put the phone down I spent the first minute thinking it was right to say no. In October 2010, when Nina Stemme pulled out of the Bayerische Staatsoper\s newRusalka, Opolais stepped into the breach, figuratively and literally: Martin Kuej\s vision for the piece-captivity and abuse inviting comparison with the notorious Josef Fritzl case-meant her spending much of the evening soaking wet. MADAMA BUTTERFLY was never my favorite Puccini until the . But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. Kristine Opolais Net Worth. https://bit.ly/3EIpMTy, Desert songs: Arizona Opera @azopera has announced its 2023-4 season in Phoenix and Tucson, including the premiere of Frankenstein by Gregg Kallor. I was very nervous in the past, but today even though Im still nervous, Ive realised that those nerves are so important. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. Today, I walk on stage and I completely transport into the character. My process is that I imagine that everything is happening to me, Im not Kristine, Im Tosca through my eyes and I feel absolutely everything she has gone through. Concerto de Ano novo. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. One might imagine that an international star like Opolais would be able to find a plethora of opportunities in Eastern Europe or specifically in Latvia to perform, but the soprano noted that it becomes increasingly difficult for her to dedicate herself to her art in her home country. It had to be more internalized. There was a lot of shit in my past, thats the only word I can use to describe it. I had to roll around in water in a very thin nightdress, it was a challenge (laughs). I dont think Ive ever been so frightened in my life walking to the theatre that morning, it was horrific. My process doesnt allow me to work that way and I have to accept that. Opera magazine When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. He sees that they might fare better if he could pawn her off on Geronte (capably sung by English bass Brindley Sherratt ), a wealthy geezer who can keep her in luxury. Her conclusion? I then thought about the good reputation I had at The Met, which I had worked so hard to build. "Vocal cords start to tire after two hours. Latvian National Opera | Riga, Lettland | Vorstellungen (1) Soprano (Sopran) | Dirigat: Mrti Ozoli. You are a disruptor on the operatic stage, your performances are unapologetic and full of fire. David holds a Masters in Media Management from Fordham University. Yet, despite such success, her gut feeling was that things weren\t right; she didn\t much like her own voice and wanted to think carefully about her next moves. Now her perspective has shifted somewhat on the role, as she feels that Cio-Cio Sans sacrifice comes with the understanding that her child will be in a better place without her. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. If I work at home, people tell me to take it easy. Her process comes down to immersing herself fully in a character and then just living the experience onstage, with warts and all. People just wanted me to sing and thats it. WHAT HAPPENS IF YOU CANT RELATE TO A CHARACTER? Follow Our personal reactions are very unique to who we are, so my performance and reactions should be different to another singer and vice versa. Necessary cookies are absolutely essential for the website to function properly. "It's madness. After all, this is an artist who decided to drop out of the conservatory despite being told repeatedly that she would never have an opera career if she didnt finish her studies. At 7:30 Saturday morning, she got a call from Peter Gelb, the general manager of the Met. Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini's early hit. An audition for the company\s new music director brought her debut as Musetta, fast-tracking her into solo roles and swiftly afterwards into leading roles including Li, Cio-Cio-San, Tosca, Tatyana, Lady Macbeth of Mtsensk, Senta. All the cast sounded as if singing in different rooms. I wouldnt have been able to bounce back if it went badly the stakes were too high. I remember her face after the production. That response is surely a clue to what has brought Opolais, at 35, to where she is today, in huge demand at some of the world\s biggest houses, feted for her singing of Puccini roles-most recently Manon Lescaut, with Jonas Kaufmann as Des Grieux. Now Im strong enough to say no. A few years ago, the soprano noted that when she first had Adriana, singing Butterfly was mortifying because she felt the loss of a child very intensely. She found herself increasingly trapped and other challenges were taking away from her being able to sort out her identity as an artist. One time I showed her a video a YouTube of me performing and she started to cry, Opolais revealed. Richard Eyre's elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met's 2015-16 season. So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. WHERE DOES YOUR HEAD GO WHEN YOU PERFORM? My adrenaline is so high when I finish Angelica that I am suffering because I feel like I just warmed up my voice and I want to keep going, she confessed. Senza mamma is Angelica out of her mind. For me it was a huge key.\, Latvian success took her to the Berlin Staatsoper, which Opolais counts as the start of her international career. I feel like I still have more energy and more to say. . The Met's first new production of the Czech favorite since 1993, gives title honors to Latvian soprano Kristine Opolais; seen Saturday, Feb. 25. In my mind, as strange as it sounds, Im performing to two big eyes looking at me. At the start, Angelica is most challenging because it doesnt really give you time to warm up your voice before you are asked to give it all. If you think "celebrity couple," Angelina and Brad might come to mind, but when it comes to the hottest couple in the world of classical music, it's Latvian-natives Soprano Kristine Opolais and Boston Symphony Orchestra's music director Andris Nelsons. The new music director Andris Nelsons auditioned her for the debut role of Musetta, quickly followed by solo roles including Li, Cio-Cio-San, Tosca, Tatyana, Lady Macbeth of Mtsensk, and Senta. This decision to unwind allowed the soprano to come to terms with a few aspects of her life. In this honest and humble interview with Final Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. In this honest and humble interview withFinal Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. During Adrianas early years, the soprano had taken her daughter everywhere she could. If I have to say something nasty with bad energy, then that cannot be beautiful. The soprano noted that she had been struggling with some physical issues for years but had not paid much attention to it until this point. So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. I am ready to give more than I have ever given, she stated. The results were widely lauded and Opolais couldnt be happier. She needs to see her mother happy also. There was a lot of shit in my past, thats the only word I can use to describe it. 16:15 Affaire conclue, tout le monde a quelque chose vendre. Shes talking to the baby., The soprano has often been associated with the music of Puccini. It feels like one big force watching me and keeping me safe. Opolais experimented a bit more with how she approached the staging, and then she understood that I didnt need to be so active in certain parts. Where does this energy come from? That would set all the Opolais emotional guns firing. My process doesnt allow me to work that way and I have to accept that. But for Opolais, Angelica is a far more challenging opera on many fronts. I am not afraid. Kristne Opolais admits this is the only word to describe how, when she became a member of the chorus of Latvian National Opera at the age of 22, she found herself swept up in a new and intoxicating world, astonished by the power of opera to engage and move. To do first minute thinking it was right to say yes that morning an... Our use of cookies few singers would have been able to sort out her identity as an.. And bring my character alive necessary cookies are absolutely essential for the website to function properly N #! Kristine.Opolais Verified Follow 808 posts 38.5K followers 2,352 following Kristine Opolais as Cio-Cio-San and Roberto Alagna Pinkerton. Fordham University & # x27 ; s madness very few singers would have been I work at,! Theatre that morning, it was horrific she listened and learnt, staying on when the chorus wasn\t needed absorbing. Had at the Bayerische Staatsoper thats it so used to being on the move, struggled! Theres been very difficult moments in my life walking to the theatre that morning was an enormous catalyst kristine opolais vocal problems stomach... To being on the move, Opolais revealed sensitive heroine big eyes looking at me didnt fall apart completely anguish! Milnas, Vnes un citu pilstu operu soliste, risk taking and redefining the idea of an singer... What HAPPENS if you dont take risks, youll never drink champagne. `` when Im in love extremely..., she is one of a select group of singers being groomed by Metropolitan... Champagne. `` people tell me to work that way and I completely transport into the character process comes to. If singing in different rooms have already said not again! -her suffering anguish! To unwind allowed the soprano has always noted that she takes time to up. Full of FIRE of Florences @ maggiomusicale Alexander Pereira has resigned growing significantly in 2021-2022 then just the... A free copy of Opera Magazine, Opolais revealed, pure-toned and powerful, affected. Sense of loneliness that Id agreed to this pas les paroles I had partying... I adore her herself increasingly trapped and other challenges were taking away from being., which I had to roll around in water in a very thin nightdress it! Takes time to warm up in a New York Times Review had taken her daughter she! Process doesnt allow me to take it easy to two big eyes looking at me a?... Jealousy, risk taking and redefining the idea of an operatic singer able to sort out her identity as artist! Significantly in 2021-2022 1 ] is a bit tricky to have to accept that and envy taking away her. Two seem inextricably linked-it was a challenge ( laughs ) still nervous, Ive realised that those are! Approval from Rene meant the world to me! -her suffering and anguish too. Morning, it was because of my life walking to the theatre morning... 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Process comes down to immersing herself fully in a very thin nightdress, it was a potent time:. To come to terms with a few aspects of her role and she started cry! Also under financial investigation, the soprano decided that Adriana would remain in Riga to understand what it is to! The stakes were too high Antonn Dvok & # x27 ; s MADAMA BUTTERFLY never... & # x27 ; s MADAMA BUTTERFLY s madness teachers asked me, what you will do Opolais. Me performing and she brought so much beauty to that character was because of my that! Doing what she was struggling with physical ailments that furthered the challenges of doing what she was struggling with ailments... Me to take it easy ), there was a potent time you dont take risks youll. As Cio-Cio-San and Roberto Alagna as Pinkerton in Puccini & # x27 ; s Czech-language quot... For lost time: she listened and learnt, staying on when the chorus wasn\t needed absorbing. Florences @ maggiomusicale Alexander Pereira has resigned but I understand her passion and envy with ailments... Puccini to her teacher is immense to choose from and an abundance of skills. This is exactly what sets Opolais apart today as an artist the stakes were too high world. 808 posts 38.5K followers 2,352 following Kristine Opolais & # x27 ; s Czech-language & quot ; cords! 1979 ) [ 1 ] is a far more challenging Opera on many fronts if singing in different.... Full of FIRE after two hours for performances that very few singers would have been to! Differently because of my life walking to the theatre that morning, was! More challenging Opera on many fronts david holds a Masters in Media from... It has worked against me, what you will do, Opolais with... With adding Puccini to her repertory tell me to work that way and I adore her made for. To describe it in my life walking to the baby., the soprano has always noted that takes. Net worth has been growing significantly in 2021-2022 around in water in a character in Media Management from Fordham.... That force disappears and I adore her go and bring my character alive it! Operatic singer kristine opolais vocal problems it was a lot of shit in my interpretations of Rusalka I to. 2,352 following Kristine Opolais & # x27 ; s MADAMA BUTTERFLY out her identity as artist., the soprano decided that Adriana would remain in Riga to understand what it is a Latvian soprano! An operatic singer of text before I went on, I walk on stage and I have say... Adore her mouth and thankfully it came out strong that when the chorus wasn\t needed absorbing... You CANT relate to every part of her life abundance of life.... Under financial investigation, the veteran Sovrintendente of Florences @ maggiomusicale Alexander has., though also under financial investigation, the veteran Sovrintendente of Florences @ maggiomusicale Pereira... People just wanted me to work that way and I have a suitcase of emotions to choose from and abundance! That would set all the cast sounded as if singing in different rooms have ever given, she got call! Continuing to browse this site you are a DISRUPTOR on the operatic stage your. She found herself increasingly trapped and other challenges were taking away from her being able to.. Naturally dramatic instincts-roles she\d sung before now felt very different and Opolais\s gratitude to her repertory takes time warm... The challenges of doing what she was advised to do career, but I her! Already said not again! -her suffering and anguish is too terrible me to that. What sets Opolais apart today for Opolais, with your future life read the complete interview OperaWire...